The globa Through the Sistâ global club, Imân Angèle Kenza Tjamag, originally from Bobigny! brings together and unites to encourage artistic and cultural practices of women that we are not! us to seeing. We met her.
In March 2023, Imân post her first TikTok in! which she call on all creative women, from makeup artists to models to directors! to connect with her. A few days later, she organiz a debate on “How to survive as! a creative” at the Parc des Buttes-Chaumont! Already, the event brought together around ten women! from all over Île-de-France. “It went so well, it seem unrealistic to me to go from! virtual to physical so easily and get so much out of it ,” she recalls.
This event marks the birth of the “Sistaglobalclub
which now has more The globa than 1,600 members and more than fifty events to their crit. More than a club, the SGC “is a community of ambitious and creative women, unit in the goal of making themselves heard and creating opportunities, not only for themselves, but also for others,” claims Imân Angèle Kenza Tjamag. Kindness is the watchword. “We are trying to reinvent sisterhood by offering support to each member without distinction. Being a Sistâ means wanting to change things and aspiring to finally be understood and respect in artistic circles ,” she continues.
A cultural determination consolidat by his career
Iman confides that she grew up in a home that was very open to uganda phone number library culture, yet she admits that she has been confront several times with the embarrassment of going to an exhibition, a private view or a museum. “It all start with a feeling of artistic solitude that I had, it was complicat to find oneself there as a woman, racializ and veil.” Living in different cities in the Parisian suburbs, she observes the same reserve among her friends.
We do not necessarily feel legitimate in accessing or occupying certain spaces
“What is innate for others is not for us, we do not hague academy of international law courses necessarily feel legitimate to access or occupy certain spaces, I realiz that there were economic and cultural disparities.” By adb directory leaving to live for a few years in Bordeaux, Imân join the history of arts specialty at high school. This experience gave him a greater open-mindness.
“I learn so much during those years, my teachers gave me a passion for architecture and history ,” she recalls. Once back in the Paris region, the young woman rush to the former Tati de Barbes, which had become a cultural center. Very quickly, this first step inspir her and gave her access to another aspect of culture. “It’s a group of young people from the suburbs who studi architecture, who reappropriat the space and exhibit their work, it’s crazy,” she says.