The fact that it was a cover of “La Haine” made my choice easier. It would have been different if the musical was about a little-known project.
I had to go to a casting. The casting director approached me for the project and convinced me to go for it. She was like, “This is a great opportunity for you! I can see you in the role.” That’s how I ended up going.
This was your first time performing on stage as an actor. How did you approach the event?
I wasn’t an actor or a dancer, so let’s just say I became one. My rapping skills got me the role. I still went out of my comfort zone and didn’t rest on my laurels. As soon as the castings were done, I called on an actor from my city to coach me and make me appear credible in Mathieu’s eyes. I worked with the other actors as well. We saw each other a lot outside to work on our lines.
Before joining the troupe, what was your relationship with Mathieu Kassovitz’s film and the character of Hubert?
La Haine is part of a Proust madeleine. It’s the culture! When uae phone number library you come from a city, this film is part of the fundamentals of the street. Being able to play this role is quite symbolic. Hubert in the twenty-four hours of the film is at a time in his life where he is torn. He is tired of his life on the street. I went through that too. Those moments when you think and wonder what this life ultimately brings you.
On the street, I found myself in the middle of dramatic situations and involved in certain things. I felt pulled down, but at the same time, I liked spending time in the neighborhood. I suffered a bit from Stockholm syndrome: I liked something that hurt me.
One of the highlights of the piece is your interpretation
of the title “L’4MOUR” written by Médine. When did you discover this piece?
I am very close to him and I was a little behind the scenes. It took him a while to deliver the song, because he takes the time to do things well and he does them above all with his heart. It’s quite strong to be able to do this yearbook of international law; international law colloquium song on stage, for the subject and the author.
With this musical, I pay tribute to many things that have been useful to me in my life: from Médine to Hubert Koundé and Kassovitz.
Now a new actor, would you like to repeat the experience on stage or adb directory in the cinema?
Of course! I consider myself an artist and not just a rapper. If I want to sing, rap or write, I will do it. As an artist, you should never close yourself off to things. As long as it speaks to me and I am able to fulfill my role well, then I will do it.