Alivor: “When How do you counter racist stereotypes and help children become more accepting of themselves?
In 2015, I creat an Instagram page call Black Happy Hair to share everything I was learning about curly hair. I receiv a lot of testimonials, and the questions that often came up were about the little ones. “For children, what do we do?”, “My children are mix race…”, “My daughter at school can’t take it anymore…”
I start to get interest and look at what was being done in terms of books, dolls, toys, etc. I quickly understood that there was no representation of black children with frizzy hair that convey positive messages about their physique, their beauty, their person, their dual culture. There is Kirikou , but wel ere was a lack of esteem.
We internalize a lot of things including the fact that we ne
On the contrary, Caucasian children have a thousand and one models with which to grow, blossom, identify, so that they gain self-confidence. As they grow up, this creates a lot of complexes. We internalize a lot of things, including the fact that we have to change the nature of our skin by lightening it, putting in hair extensions, that we have limits, barriers…
In 2018, I wrote a book, Little Nappy, about a black superheroine with frizzy hair who tells us about her adventures. She is a children’s character who talks about self-acceptance, differences, tolerance and diversity, among other things.
La Haine returns in the form of a musical comy featuring Vinz (Alexander Ferrario), Saïd (Samy Belkasem) and finally Hubert Koundé play by rapper Alivor. Taking advantage of a break before the Parisian performances turkey phone number library resume at the end of November, Alivor spoke with the Bondy Blog. The opportunity for the Le Havre native to look back at the behind-the-scenes of the project, its preparation and the impact of Mathieu Kassovitz’s film. Interview.
What feback have you performances of the musical?
It was a great satisfaction, because the project was highly anticipat! We were reprising a big classic in the format of a musical comy. The feback we got went beyond our expectations. People were shock! We repris roles that were emblematic and it could have turn into a burden, but we all manag to live up to it.
How did the young rapper that you are find yourself involv in this crazy adventure?
I hesitat for a long time before committing to it because it was a musical. It was hard to see where we were getting into it. When you come from a neighborhood, you grow up without really knowing musicals, you don’t necessarily have all the codes. I wonder if the musical format wouldn’t distort the project and the message behind the film. Because it could have been a flop!
I thought I could be one of the american university washington program on hr and ihl; cfs un yearbook pioneers by taking part in a hip-hop musical in France.
I first had to do some research and I saw that in the Unit States, they adb directory had already adapt
Thanks to this experience, my vision chang on several things. Dancing, for example, is rap with the body. I had to remove a lot of preconceptions from the guy from the city that I was and the musical allow me to do that.