You do a lot of self-portraits and you also represent your family,
This is one of the most important things I was hoping to talk about with you! When I was 19, I knew I wanted to make this my life. And then there was a turning point in my story and that of my family: the death of my grandmother! Aziza. This is also the reason why I agreed to do this interview because I was born in! Bondy, my mother was born in Bondy, my grandmother is buried in Bondy. There are four generations of my family in Bondy.
It’s a very important city for me and for us. And so at that time, I had a notebook and I was just drawing what was happening around me to keep track, because my grandmother was leaving. Her death upset the structure of the family and even the city, because Aziza was a pillar of Bondy. Shortly after her death, everything was demolished around where she lived in Bondy Nord above the market square. Everything around: the red square, the square, in short, all the places that had always made up the landscape of Bondy disappeared when Aziza left.
It’s as if we waited for her to leave to destroy everything
My grandmother emigrated from Tunisia to Bondy at the end of the 60s with her husband. She had eleven children and my mother was the last born in 1967. She
I really started taking art seriously by drawing my family in a need to keep track and transcribe everything that we have difficulty saying orally. I have the impression that there is something that always comes back in my work, it is peru phone number library to point out things that we do not usually look at or that are invisible. At school, this was really a problem for teachers, because they could not at all see the “spiritual” aspect and understand the strangeness that exists in my work. Contrary to what I have read about my paintings, in these family scenes that I represent, everything is not necessarily going well. There is often tension and a lot of modesty. Sometimes, I represent people with whom I do not even speak anymore.
You work a lot on the figure of the alien why?
The alien is a figure that has been on my mind since childhood. My first name backwards makes “Alien”, it was something I liked to tell in the playground. The alien is a creature that doesn’t feel like it belongs and is reminded that it shouldn’t be there. It’s a lot of things at the same time. For example, in mainstream American cinema, they have a very closed imagination online workshop for unwcc researchers about the alien. Horror, like science fiction, are genres that revolve around hyper-political questions: who is scary, who is a monster, adb directory why, what hurts?
Each time, it comes from a kind of neurosis that is often racist. These films are mirrors of the people who write the stories, often white American guys. The alien is generally an anthropomorphic creature that looks exactly like a human: it has two eyes, two nostrils, a mouth, hands, feet and its intentions are to colonize and attack. What I like about aliens is that we can’t define them or catch them.